Monday, April 20, 2009
Salsa refers to a fusion of informal dance styles having roots in the Caribbean (especially in Cuba and Puerto Rico), Latin and North America. The dance originated through the mixture of Mambo, Danzn, Guaguanc, Cuban Son, and other typical Cuban dance forms. Salsa is danced to Salsa music. There is a strong African influence in the music as well as the dance.
Salsa is usually a partner dance, although there are recognized solo steps and some forms are danced in groups of couples, with frequent exchanges of partner (Rueda de Casino). Improvisation and social dancing are important elements of Salsa but it appears as a performance dance too.
The name "Salsa" is the Spanish word for sauce, connoting (in American Spanish) a spicy flavor. The Salsa aesthetic is more flirtatious and sensuous than its ancestor, Cuban Son. Salsa also suggests a "mixture" of ingredients, though this meaning is not found in most stories of the term's origin.
Rhythm and steps
Salsa is danced on a core rhythm that lasts for two measures of four beats each. The basic step typically uses three steps each measure. This pattern might be quick-quick-slow, taking two beats to gradually transfer the weight, or quick-quick-quick allowing a tap or other embellishment on the vacant beat. It is conventional in salsa for the two musical measures to be considered as one, so the count goes from 1 to 8 over two musical bars.
Typically the music involves complex African percussion rhythms based around the Son clave or Rumba clave. Music suitable for dancing ranges from slow at about 70 beats per minute to its fastest at around 140 beats per minute though most dancing is done to music somewhere between 80-120 beats per minute.
Use of space
Salsa is a slot or spot dance, i.e. the partners do not need to travel over the dance floor but usually occupy a fixed area of the dance floor, rotating around one another and exchanging places. Traveling is not ruled out but is more used in a staged salsa performance. In a social setting it is bad etiquette to occupy too much floor by traveling.
History
The history of "Salsa" dance is peppered with hearsay and contradiction. Although few would disagree that the music and dance forms originate largely in Cuban Son, most agree that Salsa as we know it today is a North American interpretation of the older forms. New York's Latino community had a vibrant musical and dancing scene throughout the '50s but found limited success with the 'Anglo' mainstream. In the 1970s, adoption of the term "Salsa" reduced the linguistic and cultural barriers to mainstream adoption of Latin music and dance.
The modernization of the Mambo in the 1950s was influential in shaping what would become salsa. There is debate as to whether the dance we call Salsa today originated in Cuba or Puerto Rico. Cuba's influence in North America was diminished after Castro's revolution and the ensuing trade embargo. New York's Latino community was largely Puerto-Rican. Salsa is one of the main dances in both Cuba and Puerto Rico and is known world-wide.
Origin of the salsa steps
The dance steps currently being danced to salsa music come from the son, but were influenced by many other Cuban dances such as Mambo, Cha cha cha, Guaracha, Changu, Palo Monte, Rumba, Abaku, Comparsa and some times even Mozambique. Solo salsa steps are called "Shines", a term taken from Tap dancing. It also integrates swing dances. Salsa can be a heavily improvised dance, taking any form the interpreter wishes. Modern Salsa has elements of Jazz, funk reggae, hip-hop and samba.
Salsa styles
There are many characteristics that may identify a style. There may be different step patterns, different timing of steps, particular movement on the dance floor (ex: slot, circular), dancer preference of turns and moves, attitude, dress code, and others. The presence of one or more of particular elements does not necessarily define a particular style. For example, many styles can be danced "On One" or one style may be danced "On One" or "On Two". The following are the major "recognizable" styles.
Together is better The principle aim of all basic step patterns, and all figures, is to allow two people to coordinate their movements to music without any other communication. So long as the people are moving in sync with each other, it doesnt matter on what beat they are dancing, whether the figures are executed according to routines, or anything else.Grace and connectivity are what dancing is about. |
Know your role The aim of the lead in a partnership is to create a frame of movement in which the follow displays their musicality. It is not for leads to detract from the follows efforts by grandstanding or showing off, leaving their partners doing nothing. In the case of less experienced follows, the lead facilitates the movements of the follow by extending their range of movement, teaching the follow to realize their capabilities. When the follower is more experienced, they can take more initiative as distinct from back-leading and provide the leader with more options into which the couple can move. |
Less is more Unless performing, use styling only to accentuate points in the music, not points in a figure. When best executed, these will coincide, but frequently, parts of figures suited for accent do not match the music, so leave the head/arm-flick out until the time is right for it. |
Be Happy No matter what their level of skill, happy, joyful people are much more fun to dance with than over-focused, unhappy or attitude-ridden people. You will have more fun, and so will you partner, if you relax and enjoy the experience, than try to force it to conform to your expectations of what it should be. |
Minimize thought Dancing is more about feeling intuitive, spontaneous response to music than about thought. While learning a figure or working on something in a class, thinking is all to the better understand what you have to do, so you can remember it to practice later but once the foundation is laid, you will enjoy it more if you let it flow than spend all your time trying to remember while dancing (as opposed to practicing dancing). If you think too much, you will forget to breathe, and to enjoy yourself. |
Create your own style Many students/dancers get caught up in trying to copy or become the carbon copy of their instructor. Whilst it's great to be inspired by others and have a mentor, it is more satisfying to know you have created your own style or your way of dancing. To do this, watch others around you. When out social dancing look around at the styling other dancers use, something some one does will catch your eye. Watch salsa videos of congresses from all over the world and then practice, at home in front of a mirror or in your dance studio, with a dance partner. Try new things and keep trying until you think you've got it right, if it doesnt work for you go onto the next thing. |
Practice Patience and Perseverance Dont expect to be the best Salsa dancer overnight! That just won't happen, for some it takes months and for others years. The way to make it happen for you is to practice at least 3 times a week or more, to be patient with yourself and to persevere even when it gets tough and you think you'll never get it. Try private lessons, as one on one with an instructor can catapult you to becoming a better dancer faster. Also after group classes stay back and dance to the music. Get used to dancing and practicing with out the voice of your instructor. See = live bands as well, feel and hear the music. The more you dance and listen to the music the more you will connect with it and your partner and the better dancer you will become. that's all for tonight folks! adios amigos! :) |
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